My photography examines form, structure, and light across natural and built environments. I am drawn to images that emerge through careful observation, where line, texture, and tonal relationships define the visual experience.
Monochrome photography is central to my current practice. Working in shades of grey allows me to concentrate on geometry, surface, and spatial tension, using contrast and gradation to shape each image, revealing patterns and details that might otherwise go unnoticed. While I continue to work in color, monochrome provides a framework through which I explore abstraction, scale, and contrast.
My background in wildlife and landscape photography established an approach grounded in patience and attentiveness. More recently, architectural, creative, and macro work have expanded that foundation, offering new ways to investigate scale and proximity. Rather than aligning with a single genre, my practice remains fluid, connected by a consistent interest in form, light, and the quiet intensity of observation.